Arrangement-Automation
Lesson time: (7min 52sec)
Automatisiere Lautstärke und andere Parameter in Abletons Arrangement-Ansicht und nutze Breakpoints, um Fades zu zeichnen und Veränderungen über deinen Track hinweg zu gestalten.
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This lesson is part of the course Tracks in Ableton Live bauen
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Lesson transcript:
Automation in Arrangement View
Now we're going to look at automation in Arrangement View. We've already talked about how we can edit and move samples around, but what if we want to automate the volume and create some changes?
What is Automation?
The movement of a control across the song, timeline, or session clip is called automation. A control whose value changes in the course of this timeline is automated.
Ableton Live allows us to automate parameters in Arrangement View easily with breakpoints.
Creating Volume Automation
For example, if I want to create a fade in the volume from one setting (let's say 0dB) to all the way quiet, then I would automate it. I would create changes that automatically happen every time I hear that playback. I do this with breakpoints.
- In the image, these little points are the breakpoints.
- You can start creating different shapes of how you want the volumes to come in and out.
You'll also notice that I get these little red squares on a parameter whenever I automate it. For instance:
- The solo is not automated.
- The record is not automated.
- However, I have automated my panning, volume, and bypass.
Demonstrating Automation in Ableton Live
Let's look at that within Ableton Live. Here we go; we have this track. I'm going to play it.
- If I want to change this drum part where the volume slowly fades in, all I need to do is click the volume.
- You'll notice we get this line here that is currently dotted.
- A dotted line means nothing is automated, but if I click it, I create what's called a breakpoint.
- That breakpoint turns the line into a solid line.
Adding Breakpoints
- You'll also notice a little dot over by the volume, indicating that automation has been created.
- If I click again, I can make another dot and move that one to slowly fade up.
Let's do the same thing for the kick. And there we go, now we're at full volume. Just to demonstrate this, let's also do it for the bass:
- All you have to do is click to create a breakpoint.
- If you want to delete a breakpoint, simply click it when it appears blue, and it deletes it.
Deleting Automation
If I had many movements and decided I didn't like any of them, I can select all of that and then right-click > Delete Envelope.
I can also delete individual breakpoints as needed.
Applying Automation to Audio Effects
Just like with envelopes within a session clip, I can automate any parameter. For instance:
- If I go to my audio effects and add a reverb to my melody, I might set the dry/wet very wet at the beginning and then bring it down to dry as we go.
- As I listen, the reverb will move from very far in the background to more prominent, thanks to the red dot indicating automation.
Recording Automation
Another way to create automation is by recording what you're doing. Here's how:
- Let's say I have a chorus effect; I'll start here and just play around with it.
- If I start by hitting the automation record button and then move parameters, you'll see each moved parameter receives a little red dot.
- Clicking that dot allows me to see what movements were recorded, and I can always edit things.
Pro Trick: Smoothing Automation
Here's a pro trick:
- If I have a lot of movements but don't want the ups and downs, I can select my volume, create a breakpoint, and then hold Shift as I move it.
- This action deletes everything it goes over. If I don't hold Shift, it stops at the next breakpoint, allowing control between just two points.
Deleting All Automation
You can delete all automation on a parameter by right-clicking and selecting Delete Automation.
Draw Mode for Automation
Another powerful feature is Draw Mode. Here's how to use it:
- Press B to enter draw mode, which gives you a pencil tool.
- You can draw automation directly onto your timeline in relation to the grid.
- To exit draw mode, press B again, and you'll see the breakpoints created from your drawing.
Granular Control in Draw Mode
If I have no fixed grid, hitting B allows for granular control:
- I can draw whatever I want for automation.
- After drawing, press B again to see everything.
If I don't like any of the automation, I can hold Shift and drag across to delete it all.
Conclusion
That covers how to edit breakpoints and create automation within Arrangement View.
About the instructor

Isaac Cotec ist wohl einer der besten Ableton-Trainer der Welt! Während er an seiner eigenen Musik arbeitete, begann er, Privatschülern Aufnahmetechniken, Sounddesign und Ableton Live beizubringen, und seit seiner Zertifizierung als offizieller Ableton Certified Trainer hat er Tausenden von Produzenten geholfen, ihr Niveau zu steigern und als Musiker erfolgreich zu sein. Isaac begann 2005 mit Psyche Sonics elektronische Musik zu produzieren, einer experimentellen Gruppe, die sich mit der Wissenschaft und Erforschung binauraler Beats und der Bewusstseinsveränderung durch Klang beschäftigte. Nach dem Touren schrieb er weiter Musik unter dem Alias Cotec und trat später als Künstler Subaqueous hervor, der seine elektronische Vergangenheit mit zukunftsgewandten wie organischen Produktionstechniken verband. Bis heute hat er 3 Alben und 4 EPs veröffentlicht. Isaac ist außerdem Gründer und Manager des Plattenlabels Invibe Music, das einige der besten Elektronik-Künstler des Pacific Northwest vertritt und sich auf Midtempo-Dance-Musik spezialisiert. In seinen Ableton-Live-Kursen teilt Isaac die Produktions-, Sounddesign- und Songwriting-Techniken, die er über Jahre verfeinert hat – genau jene Fähigkeiten, mit denen er aus dem Funken einer Idee einen fertigen Track macht. read more




