Añadir un patrón de bombo
Lesson time: (2min 34sec)
El bombo es el tambor principal para frasear cualquier groove que puedas tocar al estilo de Nueva Orleans. Es muy importante entenderlo bien.
Course preview
This lesson is part of the course Batería estilo Nueva Orleans
Watch a preview of the full course below.
Lesson transcript:
Lesson Two: The Bass Drum in New Orleans Drumming
Hi and welcome to lesson two of the New Orleans drumming experience!
The Importance of the Bass Drum
In this lesson, we will discuss:
- The bass drum's role as the most important drum.
- Common misconceptions about the snare drum and hand drumming.
- The bass drum as the lead instrument for phrasing any groove or street beat.
Understanding the rhythms of New Orleans is crucial. If you've ever seen a parade band, you may have heard of "second lining." For reference, more details will be in the accompanying PDF.
What is a Second Line Groove?
The second line groove has evolved over the years and has various interpretations. However, it remains a traditional element in street parades.
Elements to Consider:
- Snare Drum: Plays the "doobie, doobie, doobie" rhythm.
- Bass Drum: Establishes the phrase with a strong push on beat four of the second bar.
Rhythm Example:
- Boom, boom, boom, boom.
Experimentation and Dynamics
- Experiment with how loud you want to play the accent.
- Listen to different bands to see the range of dynamics:
- Some people play the accent loudly.
- Others gently push it along.
Contextual Considerations
- Outdoor Brass Bands: You might want to emphasize beat four.
- Smaller Bands: A gentler push may be more appropriate.
Conclusion
Always think of the bass drum as your number one priority, with the hands accompanying it.
I'll see you in lesson three!
About the instructor

Tras graduarse en batería por la Guildhall School of Music en 1999, Pat ha actuado y grabado con Liane Carroll, el James Taylor Quartet, Tim Minchin, los Ronnie Scott's All Stars, Zigaboo Modeliste (The Meters), Earl Thomas, Paddy Milner, el Phil Stevenson Trio, los Downtown Dukes, 24 Pesos, las Puppini Sisters, Sandi Thom y Bernard Purdie, entre otros. Ha girado ampliamente por América, Rusia, Asia y Europa, tocando en numerosas salas de prestigio, festivales y espacios de televisión y radio. Pat también toca la armónica cromática y es solista destacado en dos álbumes de Will Grove-White (Ukulele Orchestra of Great Britain). Entre sus propios proyectos figuran 'The Coalminers', dedicado a tocar funk y soul de Nueva Orleans, y 'June Afternoon', un trío de órgano con Ross Stanley y Nat Martin. En su curso New Orleans Style Drumming, Pat desgrana los grooves, el feel y el vocabulario del second line que definen el sonido de la ciudad, para que puedas encajar en un funk y un soul auténticos tras la batería. read more




