Analysis, explanation, demonstration with Maxim Vengerov
Lesson time: (42min 50sec)
Maxim Vengerov coaches his student Mengla Huang through Sarasate's Carmen Fantasy, working on bow control, vibrato, sound production and emotional phrasing.
Course preview
This lesson is part of the course Sarasate - Carmen Fantasy Op 25
Watch a preview of the full course below.
Lesson transcript:
Music Lesson
Overview
In today's lesson, we will discuss various aspects of playing the violin, focusing on the left and right hand techniques, sound production, and the importance of expressing emotion through music.
Left Hand Technique
- The left hand is essential for achieving:
- Minimalistic and beautiful vibrato
- Great results with less effort
Right Hand Technique
- When playing with the right hand, especially on the E string:
- Avoid excessive force; it should feel controlled.
- Use the wrist effectively.
- Imagine sitting in a fantastic car on a bumpy road, glide smoothly despite the bumpy ride.
Sound Production
- Three Principles of Sound:
- Beginning: The birth of sound
- Middle: Development of the phrase
- Ending: Maturity and resolution
Concept of Sound
- Think of sound in stages:
- The beginning is crucial; it should not be accidental.
- Each sound must be intentional:
- The beginning gives a sound its identity.
- The ending provides closure.
Performing Techniques
- Create a connection with your audience:
- Articulate clearly, just as actors do in theater.
- In contrast, on film, actions can be more subdued due to the proximity of the camera.
Visualization of Sound
- Envision sound as a circle:
- The center of the circle represents the focal point of sound.
- Always return to this center; the audience must feel this connection.
Important Practices
- Release the tension in your hand:
- Keep the movements light and sensitive.
- Weight of Sound:
- Every note carries weight; understand it.
- Lift and give back the sound intentionally.
Climbing and Descending
- When practicing scales:
- Visualize each note as a step.
- Prepare to climb (ascend) or descend each note with intention:
- Avoid a routine; be imaginative.
Connecting Emotion and Technique
- Your musical expression hinges on connecting technique with emotion.
- Remember to relax within the music; breathe with it.
- Synchronization:
- Ensure your hands mirror the intended emotional weight and sound.
Final Thoughts
- As a performer, your aim is to:
- Deliver a heartfelt, expressive performance.
- Utilize the principles of beginning, middle, and end consistently.
- Remember, practicing these concepts will enhance your musicianship and make your playing more engaging.
Master Class Recap
- The main points from today's master class include:
- The significance of sound's beginning and end.
- The balance and control required in both hands.
- The necessity of connecting emotionally with the music.
Embrace these ideas and incorporate them into your practice.
About the instructor

Maxim Vengerov is recognised as one of the world's most exciting violinists. He gave his first recital at the age of five and, after studying with Galina Tourchaninova and Professor Zakhar Bron, went on to win First Prize in the Junior Wieniawski Competition at the age of ten. In 1990, aged fifteen, he won the Carl Flesch International Violin Competition, confirming his reputation as a musician of the very highest order. In May 2000, following a ten-year recording contract with Teldec Classics, Maxim Vengerov signed an exclusive contract with EMI Classics. His awards and prizes have included Gramophone Young Artist of the Year and Ritmo (Spain) Artist of the Year in 1994; Gramophone Record of the Year and Grammy Award nominations for Classical Album of the Year and Best Instrumental Soloist with Orchestra in 1996; the Edison Award for Best Concerto Recording in 1997; Gramophone Artist of the Year in 2002; and both an Edison Award and a Grammy Award in 2004 for Best Instrumental Soloist Performance (with Orchestra) for his recording of the Britten Violin Concerto and the Walton Viola Concerto. In 1997 Vengerov was the first classical musician to be appointed Envoy for Music by UNICEF. In this role he has met and performed for disadvantaged children in Uganda, Harlem, Thailand, and on both sides of the Kosovan ethnic divide - work that has allowed him both to inspire children worldwide and to inspire others to raise funds for UNICEF-assisted programmes. Another passion of Vengerov's life is his involvement with young people through giving masterclasses. One such event was recorded by Channel Four Television as part of a documentary on Vengerov called 'Playing by Heart', shown at the Cannes Television Festival in 1999. Since June 2005 he has been Professor of Violin at the Royal Academy of Music, London. That same teaching passion runs through his MusicGurus masterclasses, where Vengerov takes you inside the great violin repertoire - from Ravel's Tzigane and Sarasate's Carmen Fantasy to the concertos of Sibelius, Mendelssohn, Britten and Shostakovich - sharing the technique and musicianship behind every phrase. read more




