Understanding and using modes

Roy Vogt
Roy Vogt

Lesson time: (5min 0sec)

Roy Vogt shows how to build the diatonic modes from the major scale and use them to create bass lines and solo licks, and how to transpose them into any key.

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This lesson is part of the course Teach Me Bass Guitar vol.4: Serious musicianship
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Lesson transcript:

Music Lesson on Diatonic Modes

Introduction

Alright, welcome back! We're going to work with diatonic modes and use those to play a couple of different styles of music. First, let's warm up. This is basically a way to get your four fingers working independently.

Warm-Up Exercise

  • Start on the fifth fret
  • Tap the note and then pull off
  • This is similar to your four by four exercises.

Introducing Diatonic Modes and Chords

I'd like to invite my student Cody on the set.

Understanding Major Scales

  • Cody, we've worked on major scales before. Let's learn how to build modes off the major scales.

Finding C and Playing the C Major Scale

  1. Find a C down here on the third fret of the A string.
  2. Let's run the C major scale for a second:
    C, D, E, F, G, A, B, C

Now, let's take a look at how that works:

  • I've got whole steps between everything except:
    • A half step between E and F
    • A half step between B and C

Otherwise, there are whole steps.

  • Whole steps: two frets
  • Half steps: one fret

Moving Up the A String

Let's take just our ears and the knowledge of where these notes are on the neck and move up the A string to do a C major scale, just moving up one string:

  • C, D, E, F, G, A, B, C

Starting Points for the Modes

Now, those notes will become the starting points for the modes.

  1. Ionian Mode:
    Starts from C to C

    • Notes: C, D, E, F, G, A, B, C
  2. Dorian Mode:
    Starts from D to D

    • Notes: D, E, F, G, A, B, C, D
    • This is a minor sounding scale.
  3. Phrygian Mode:
    Starts from E to E

    • Notes: E, F, G, A, B, C, D, E
  4. Lydian Mode:
    Starts from F to F

    • Notes: F, G, A, B, C, D, E, F
  5. Mixolydian Mode:
    Starts from G to G

    • Notes: G, A, B, C, D, E, F, G
  6. Aeolian Mode:
    Starts from A to A (this is the same as the natural minor)

    • Notes: A, B, C, D, E, F, G, A
  7. Locrian Mode:
    Starts from B to B

    • Notes: B, C, D, E, F, G, A, B

Closing the Session

Great! Now let's put our second finger down and finish off with a major scale:

  • C, D, E, F, G, A, B, C.

Good job! Now, let's take a look a little further and observe how this locks in with the harmony.

About the instructor

Roy Vogt
Roy Vogt

Roy Vogt's career spans an extraordinary range of stages, from MTV's Headbanger's Ball, the Montreux Jazz Festival and the Montreal Jazz Festival to the London Palladium, the Grand Ole Opry and the Kremlin. From punk to funk, the simplicity of country and blues to the complexity of HyperJazz and World Beat, he has played it all. Roy was the first person to receive a Master's degree in Electric Bass Performance, from the University of Miami's prestigious music school, and has been pursuing the art of bass for more than forty years. He has mentored dozens of successful professionals, including the legendary Willie Weeks. Electric, fretless, upright - you name it: if it plays low notes and has strings, Roy is a master at playing it, and at teaching others to do the same. Over his four-decade career, Roy has recorded or performed with an amazing list of top stars, including Larry Coryell, Victor Wooten, Dave Weckl, Tom Scott and the LA Express, Chester Thompson, Miroslav Vitous, Glen Campbell, BJ Thomas, Chet Atkins, Engelbert Humperdinck, Dickey Betts, Tony Joe White, Charlie Daniels, Jerry Reed, and dozens more. Roy has been teaching at university level for thirty years. Since 1983 he has held the Bass Professor chair at prestigious Belmont University (Nashville, TN), one of the very few schools to offer a commercial music degree program designed to turn students into professional musicians working at the top of the industry. Roy's students have toured and recorded with notable stars such as Trisha Yearwood, Faith Hill, Little Texas, Michael W. Smith, Lady Antebellum, Chick Corea, Sir Tom Jones, Blood Sweat and Tears, Yanni, and countless other music icons. His Teach Me Bass Guitar series brings that same university-level approach to you, taking you from a complete beginner's quick start (vol. 1), through rhythm fundamentals (vol. 2), finding your own style (vol. 3) and serious musicianship (vol. 4), all the way to a pro-player toolkit (vol. 5), so you build real skills step by step. read more

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