Lesson 3 of 3ViolinIntermediate

Second performance

In this lesson, Eduard Kunz (Piano), Vilde Frang ( Violin), Barbara Buntrock ( Viola), Leonard Elschenbroich ( Cello) perform Brahms's Piano Quartet again, applying the lessons learned in the masterclass.
Part of the courseBrahms - Piano Quartet No 3 in C minor3 lessons (1h 13m)

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Gábor Takács-NagyYour guruGábor Takács-Nagy

What's in the course

3 lessons (1h 13m) · 1 free
    • 01. Performance by Eduard Kunz (Piano), Vilde Frang ( Violin), Barbara Buntrock ( Viola), Leonard Elschenbroich ( Cello)

      Free lesson

      9:49

    • 02. Analysis & explanation with Gábor Takács-Nagy

      51:34

    • 03. Second performance

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      11:44

Lesson transcript

Performance of the piece

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Meet your guru

Gábor Takács-Nagy

Gábor Takács-Nagy

Gábor Takács-Nagy was born in Budapest, where he started learning the violin at the age of eight. Whilst still a student at the Franz Liszt Academy, he won First Prize in the Jeno Hubay Violin Competition in 1979, after which he continued his studies with Nathan Milstein.

From 1975 to 1992, he was founding member and first violin of the Takács Quartet, which won first prizes in the international competitions at Evian (1977) and Portsmouth (1979). The quartet performed with Sir Georg Solti, Lord Menuhin, Isaac Stern, Mstislav Rostropovitch, András Schiff, James Galway, Paul Tortelier, Mikhail Pletnev, Joshua Bell, Zoltan Kocsis and Gidon Kremer, and made several recordings for Decca and Hungaroton.

In 1982, he was awarded the Liszt Prize. In 1996, he founded the Takács Piano Trio, with whom he recorded works by Franz Liszt, Laszlo Lajtha and Sandor Veress, and the BBC in the UK has broadcast their recording of Beethoven's Archduke Trio. In 1997, Gábor Takács-Nagy was named Professor of String Quartet at the Geneva Conservatoire and at the Sion Conservatoire in Valais, and he regularly gives masterclasses at international academies. Since 2001 he has also conducted orchestras, creating his own string orchestra, the Camerata Bellerive, in 2005.

In his masterclasses, Gábor turns a lifetime inside the chamber repertoire into practical guidance, showing how phrasing, intonation, character and ensemble dialogue are shaped from the inside of the music. Here he opens up two cornerstones of the literature - Brahms's Piano Quartet No 3 in C minor and Béla Bartók's String Quartet No 5 - sharing the interpretive decisions that bring these scores to life so you can apply the same thinking to your own playing.

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