Arpèges / accords brisés - Grade 1

MusicGurus

Lesson time: (3min 29sec)

Un guide pour débutants sur la façon de jouer des arpèges en accords brisés - en montant sur le 1, le 3 et le 5 de chaque accord, et pourquoi cette compétence t'aide à construire des phrases au piano.

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This lesson is part of the course Cours de piano pour débutants Rockschool : Grade 1
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Lesson transcript:

Arpeggios and Broken Chords

Okay, so for arpeggios, we have broken chords.

What are Broken Chords?

Broken chords are literally what they sound like. We're playing a chord in a broken way.

How to Play Broken Chords:

  • Go up the 1, the 3, and the 5, and then carry on up the chord.
  • The fingering is less important for these than for scales.
  • A good rule of thumb is to use 1, 3, and 5 on each of the notes that you're playing.

Importance of Broken Chords

Broken chords are important because they are a great way of building phrases.

  • When we're playing as a piano player in a band, we're often playing chords, and chords are broken chords played together.
  • A lot of pop music and a lot of rock music features very arpeggioic broken chords.
  • Being able to play these well means you can really fulfill your role within the rock band or pop band and make everything sound great.

Technique Development

So, broken chords are a really, really good way of developing technique and playing musical lines within rock and pop music.

Example of a Broken Chord: C Augmented Arpeggio

One of the broken chords I want to point out to you here is number nine: the C augmented arpeggio.

  • Augmented basically means that the fifth, which is the G, we raise or augment (make sharp).
  • It has quite a sinister sound; it's a little bit eerie and unsettling.
  • It often feels like it wants to resolve somewhere.
  • Important: Make sure you can still use the same fingering if you like, but be aware that that is a G sharp, not a G in a normal C broken chord.

Example of a Diminished Chord

The other one, which is basically the opposite of an augmented chord, is a diminished chord.

  • This is like a C minor chord, except that we are making the fifth flat instead of sharp.
  • The fingering for this one can be slightly more difficult. I would recommend using:
    • The hardest thing is making that reach from the G flat to the C.
    • You can either use the fourth or the third finger.

Key to Success

The key is just to make sure that line is nice and smooth, as it's quite a much wider gap than the others we've been used to so far.

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