The Rebirth Groove
Lesson time: (4min 4sec)
Pat Levett enseigne un groove de la Nouvelle-Orléans inspiré du Rebirth Brass Band, construit sur la clave 3-2 et pensé pour imiter une fanfare sur la batterie.
Course preview
This lesson is part of the course Batterie style Nouvelle-Orléans
Watch a preview of the full course below.
Lesson transcript:
New Orleans Groove Lesson
This is a groove from New Orleans that I heard played by the Rebirth Brass Band. In the band, they have:
- A bass drum player who has a cymbal on top of the bass drum
- A snare drum player
I was trying to find a way to play that sort of sound and emulate it on the drum kit.
Hi-Hat Setup
- I've got a bottom hi-hat, quite thick.
- I've taped it up so it's even more pingy to create that kind of sound they get on the bass drum.
I'm playing on the top, but I try to play as lightly as I can to get that pingy sound.
Playing Technique
- The side stick with the left hand goes in at the same time as this cymbal.
- The right hand moves from the snare drum to the cymbal.
Part Two
The second part involves moving the left hand from the rim shot over to the center of the drum.
Part Three
The third part is to bring in the bass drum, playing a regular first half of the 3-2 Clave.
Let's go a bit slower with this groove.
Rolls
The last part is the rolls; it's almost like a timbale roll. We throw that in every now and again.
I'll speed it up a little bit, and you can hear where they go.
Note on Timing
Now, this is the only time that you can't play the cymbal because you have to play the timbale roll here.
Another roll you can do is:
- Play for the whole bar
- At the last point, do a nice big accent with the bass drum, which will sound like this.
Putting It All Together
So, to put the whole thing together, it sounds like this.
Thanks very much! If you found this interesting and useful, I've just finished a course on musicgurus.com, and you can learn a lot more about New Orleans drumming there.
Many thanks!
About the instructor

Après un diplôme de batterie de la Guildhall School of Music en 1999, Pat s'est produit et a enregistré avec Liane Carroll, le James Taylor Quartet, Tim Minchin, les Ronnie Scott's All Stars, Zigaboo Modeliste (The Meters), Earl Thomas, Paddy Milner, le Phil Stevenson Trio, les Downtown Dukes, 24 Pesos, les Puppini Sisters, Sandi Thom et Bernard Purdie, entre autres. Il a beaucoup tourné en Amérique, en Russie, en Asie et en Europe, jouant dans de nombreuses salles réputées, festivals et émissions de télévision et de radio. Pat joue aussi de l'harmonica chromatique et est soliste invité sur deux albums de Will Grove-White (Ukulele Orchestra of Great Britain). Parmi ses propres projets figurent 'The Coalminers', consacré au funk et à la soul de La Nouvelle-Orléans, et 'June Afternoon', un trio d'orgue avec Ross Stanley et Nat Martin. Dans son cours New Orleans Style Drumming, Pat décortique les grooves, le feel et le vocabulaire de la second line qui définissent le son de la ville, pour que tu puisses te caler dans un funk et une soul authentiques derrière la batterie. read more




