Funk aux doigts

Roy Vogt
Roy Vogt

Lesson time: (46min 59sec)

Roy Vogt présente le funk fingerstyle à la basse : notes dans le registre aigu et étouffement de la main gauche, plus deux nouveaux morceaux, Florida Groove et Popcorn Popper.

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This lesson is part of the course Teach Me Bass Guitar vol.3 : Trouve ton propre style
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Lesson transcript:

Music Lesson: Right Hand Technique & Note Practice

Welcome Back

In this lesson, we're going to learn a very specific right-hand technique associated with two very famous players. We'll also cover the notes from the double dot (twelfth fret) all the way up to the seventeenth fret.

Warm-Up Exercise

Let's start with a warm-up. This warm-up will prepare us for what's to come.

  • Warm-Up Technique:
    Take your power chord from a few lessons back and add one note on top, creating a root-five octave.
    • Picking Pattern: Pick each note twice.
    • Note Values: We'll work with quarters, eighths, and sixteenths.
    • Starting Tempo: Quarter note equals 60.
1, 2, 3, 4.

Now you can work it up to speed anywhere on the neck. Remember, my pattern is root-five-octave.

Notes from the 12th to the 15th Fret

Now, let's learn the notes from the 12th to the 15th fret.

  • First Position Reference:
    When we reach the double dot, we start over again with the notes in the first position:

    • G, G# (G sharp), A, A# (A sharp), B, C.
  • 12th Fret Notes:
    At the 12th fret, the notes are:

    • G, G#, A, A#, B, C.

Remember, the first position repeats itself at the 12th fret.

  • Walking Across the Notes:
    I'll do a couple of left-hand shifts to cover that fret range.
1, 2, 3, 4.

Right Hand Technique

Now, let's talk more about the right-hand technique. Essentially, I will perform quick sixteenth notes with my index and middle fingers, often referred to as "finger funk" or "finger style funk."

  • Hand Placement:
    • If I try doing this higher up, the strings feel floppy due to lesser tension.
    • Moving back will provide better string tension and recovery.

Left Hand Muting

Next, let's discuss left-hand muting.

  • Warm-Up with Muting: I'll demonstrate the warm-up exercise with and without left-hand muting.
Here's with left-hand muting. 
Here's without left-hand muting.

Without left-hand muting, everything starts to blur together. To achieve left-hand muting, release a bit of pressure during the second note in the series.

Famous Technique: Jaco Pastorius

One of the most famous bass players utilizing this technique was the legendary Jaco Pastorius. Let's look at a typical lick in his style.

  • Standard Note Choice:
    This line follows the conventional boogie-woogie pattern: Root, 3, 5, 6, flat 7.
  • Unique Order:
    Jaco changed the order of the notes.

Lick Breakdown

  1. Starting Notes: Start with the root of the chord, move to the fifth, then play two sevenths, two sixths, and finally go to the third, incorporating passing tones.
3 passing, passing 5.

Playing the Lick in Different Tempos

Let's practice this at three tempos: 60, 80, and 100 beats per minute.

  • Tempo 60:
1, 2, 3, 4.
  • Tempo 80:
1, 2, 3, 4.
  • Tempo 100:
1, 2, 3, 4.

Transposing the Lick

You can transpose this shape around just like we did with the major scales.

  • To F:
1, 2, 3, 4.

Second Lick Overview

The second Jaco lick is common during solos. Let's discuss the technical and theoretical elements:

1, 2, 3, 4.
  • Chord Sound: F7 (F, A, C, E flat).
  • Technical Execution: Starts on the third, walks down to the root, then to the seven, marking an approach tone.

Practice Transposition

If we want to perform this lick in D:

  • Pitch Numbers:
    F#(3), E(2), F#(3), Go down to D(1).
    

Now play at different tempos (60, 80, and 100 beats per minute) just like before.

Combining Licks in a Tune

Let's combine all the licks we've worked on into a tune called "Florida Groove," named after Jaco Pastorius's home state.

  • Practice Together:
    Let's play this together at 60 beats per minute.
1, 2, 3, 4.

Advanced Technique: Popcorn Popper

Next, we'll work on another tune in the style of Tower of Power called "Popcorn Popper." Notice that we'll be playing up to the 17th fret.

Final Tips

  • Stretching and Flexibility: Remember to pull back on the fingers while stretching. Avoid forearm curls that can limit flexibility.

Looking Ahead

In our next session, we will finish learning all the notes on a 20-fret bass guitar and explore double-stop chords, inspired by bassists like Roscoe Beck and Chuck Rainey.

See you soon!

About the instructor

Roy Vogt
Roy Vogt

La carrière de Roy Vogt couvre un éventail extraordinaire de scènes, du Headbanger's Ball de MTV, du Montreux Jazz Festival et du Montreal Jazz Festival jusqu'au London Palladium, au Grand Ole Opry et au Kremlin. Du punk au funk, de la simplicité du country et du blues à la complexité du HyperJazz et du World Beat, il a tout joué. Roy a été la première personne à obtenir un master en interprétation de basse électrique, à la prestigieuse école de musique de l'University of Miami, et il poursuit l'art de la basse depuis plus de quarante ans. Il a été le mentor de dizaines de professionnels reconnus, dont le légendaire Willie Weeks. Électrique, fretless, contrebasse - tu l'imagines : si ça joue des notes graves et que ça a des cordes, Roy en est un maître, et il excelle à l'enseigner aux autres. Au cours de sa carrière de quatre décennies, Roy a enregistré ou joué avec une liste stupéfiante de grandes stars, dont Larry Coryell, Victor Wooten, Dave Weckl, Tom Scott et le LA Express, Chester Thompson, Miroslav Vitous, Glen Campbell, BJ Thomas, Chet Atkins, Engelbert Humperdinck, Dickey Betts, Tony Joe White, Charlie Daniels, Jerry Reed, et des dizaines d'autres. Roy enseigne au niveau universitaire depuis trente ans. Depuis 1983, il occupe la chaire de professeur de basse à la prestigieuse Belmont University (Nashville, TN), l'une des très rares écoles à proposer un cursus diplômant en musique commerciale conçu pour transformer les étudiants en musiciens professionnels travaillant au sommet de l'industrie. Les élèves de Roy ont tourné et enregistré avec des stars de renom telles que Trisha Yearwood, Faith Hill, Little Texas, Michael W. Smith, Lady Antebellum, Chick Corea, Sir Tom Jones, Blood Sweat and Tears, Yanni et d'innombrables autres icônes de la musique. Sa série Teach Me Bass Guitar t'apporte cette même approche de niveau universitaire, te menant d'un démarrage rapide pour débutant complet (vol. 1), en passant par les fondamentaux du rythme (vol. 2), la recherche de ton propre style (vol. 3) et une musicalité sérieuse (vol. 4), jusqu'à une boîte à outils de joueur pro (vol. 5), afin que tu développes de vraies compétences étape par étape. read more

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5 lessons (3h 17m)
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