Lección 24 de 28BateríaBeginner

For You (análisis)

2:51

La versión profesional de Harry Pope de la pieza 'For You' del Grado 2 de Rockschool, un groove de R&B y hip-hop construido sobre un bombo estable y un feel constante.

Parte del cursoRockschool Batería Grade 228 lecciones (2h 7m)

Esta lección forma parte del curso completo. 1 lección es gratis.

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28 lecciones (2h 7m) · 1 gratis
    • 01. Heard it through the Grapevine – Marvin Gaye (Análisis)

      7:22

    • 02. Losing my Religion – REM (Análisis)

      10:19

    • 03. Georgia On My Mind – Ray Charles (Análisis)

      10:42

    • 04. Maggie May – Rod Stewart (análisis)

      10:40

    • 05. Passionfruit – Drake (análisis)

      8:18

    • 06. Relegation Riddim – Bugzy Malone (Análisis)

      11:10

    • 07. Bleach (Análisis)

      12:19

    • 08. Dora and Bootsy (Análisis)

      4:16

    • 09. Cuba Mama (Análisis)

      3:46

    • 10. For You (análisis)

      Estás aquí

      2:51

    • 11. Slipstream (análisis)

      7:01

    • 12. Y'all (Análisis)

      8:49

Transcripción de la lección

Grade Two Rock School Lesson

Okay, so for you, Grade Two Rock School,

It's a cool piece. It's an RB tune with a bit of hip hop and house influence, which is really, really cool. As with all electronic-influenced genres, it's crucial to be steady and consistent.

Key Points to Note

  • Bass Drum Technique
    The first thing I would immediately note is that there's a point in this tune where the bass drum transitions from playing on beat one and a couple of accents on three or three and to playing all four quarter notes throughout the bar.

    • At that point, you're really kicking the groove up a notch.
    • It's essential to be steady. Try not to speed up, just really sit on that groove, and it will all sound great.
  • Simplicity in Performance
    This piece is a fantastic illustration of how good things can sound when you play something simple really well.

    • Whenever I play any music in a club or dance hall, and I start playing just four beats on the bass drum, you can immediately see people moving.
    • You need to be really, really consistent with it. The bass drum is the most important part of that groove.
  • Staying Consistent
    When you move to the ride, again, stay really consistent. Remember that the drumming on an RB or hip-hop track may well be programmed; it may not even be real drums.

    • They'll be programming the same sound over and over again.
    • You want that groove to flow smoothly, rather than sounding like a rock piece.

Additional Tips

  • Crash Cymbals
    When you hit the crash cymbals on all four beats, you do that twice in the whole piece.

    • Be really thoughtful about how you hit them, be loose and try to get a full sound from it.
    • You want volume behind it, and all at the same volume as well, as this is really important.
  • Open Hi-Hats
    The open hi-hats need to be sizzling.

    • Aim for a really clean sound coming off on beat one; this will elevate your groove to a professional level.

Reminder

There's no reason why I couldn't go out and play any of this stuff at a gig and have people dancing. It would really work. Other than that, just be solid!

  • Practice with a metronome.
  • Listen to your teacher.

I'll see you soon! I hope you enjoy it.

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