Lección 26 de 28BateríaBeginner

Munky Fusic (análisis)

2:45

Harry Pope da su visión profesional de la pieza de funk de Grado 1 'Munky Fusic', repasando la intro, los grooves y el paso al platillo ride.

Parte del cursoRockschool Batería Grade 128 lecciones (1h 51m)

Esta lección forma parte del curso completo. 2 lecciones son gratis.

desde13 US$/mes

Explorar el curso
Cancela cuando quierasReembolso en 30 días

Qué incluye el curso

28 lecciones (1h 51m) · 2 gratis
    • 01. Soul Man – Sam And Dave (Análisis)

      4:55

    • 02. Billie Jean – Michael Jackson (Análisis)

      13:28

    • 03. In The Midnight Hour – Wilson Pickett (Análisis)

      8:40

    • 04. Yeah – Usher (Análisis)

      10:26

    • 05. I Want To Break Free – Queen (Análisis)

      3:18

    • 06. Liberation – Wretch 32 (Análisis)

      7:45

    • 07. Kaiser Roll (Análisis)

      8:56

    • 08. Bend & Snap (Análisis)

      7:25

    • 09. Jangle Road (análisis)

      5:12

    • 10. West Coast Rollin' (Análisis)

      Lección gratis

      3:53

    • 11. Deep Trouble (Análisis)

      7:38

    • 12. Munky Fusic (análisis)

      Estás aquí

      2:45

Transcripción de la lección

Monkey Fusik, Grade One Funk

I love funk. It's just great.

Intro

  • Starting at A with an intro, which doesn't have a backbeat yet (that's a snare drum on two and four).
  • So just be really, really steady during that.

Full Groove

  • Moving to a full groove at B after a lovely steady fill.
  • Then, after another fill at C, we're moving to the Ride Cymbal.
  • Just be aware of that.
  • Even mark your chart; you're allowed to do that. There's nobody saying you can't.

Tips for Transitioning

  • You might write at the end of that fill in bars 14, 15, 16 to ride, so that you know it's coming up and you don't get surprised by it when it arrives.
  • Also, be familiar with the chart, so that when you move to the Ride Cymbal, you're not stuck with your eyes on the chart and miss the point of the ride that you want to play.

Consistency

  • Let's keep the ride really, really consistent each time.
  • You know, it just sounds really, really good.

Accents

  • I'm accenting the hi-hat on the groove.
  • On the beat, I'm going. It doesn't say that you have to do that on the chart.
  • I just think it sounds cool, and it's really, really authentic to this style of music.
  • I've played a lot of funk music in my time and I just know that works. So I'm throwing it in. No pressure for you, but give it a go. It sounds really, really cool.

Hi-Hat Tips

  • Watch out for the open hi-hat in Bar 23.
  • Keep it sizzling.
  • You know, you don't want a...
  • There's a lot of potential for the hi-hats to kind of slosh, and we want a sizzle.
  • That's the sound we're after. It keeps it really, really tight and really, really funky.

Inspiration

  • As I said, this track is based on "Play That Funky Music" by Wild Cherry.
  • I must have played this about 300 times in various wedding bands and so on.
  • It's a really, really fun place to play music; it's all about dancing and the singer. So you got to be really, really steady.

Demonstration

  • I'm just going to play some of the things I might play alongside that track, and you can just see if you like them.
  • I'm going to start simple, loud, but cool.
  • Not saying that you have to play any of that just yet, but stick at your grades.

Practice

  • Keep practicing with a metronome, always with a metronome.

I'm sure I'll see you soon for Grade Two.

Bye!

13 US$/mesSuscripción

28 lecciones

1h 51m de lecciones en vídeo estructuradas

Funciones de vídeo avanzadas

Ralentiza, repite un pasaje, sigue la partitura

Móvil, tablet y ordenador

Practica donde quieras

Garantía de satisfacción 100%

30 días de garantía de devolución

Pat Levett
Joe Glossop
Frank Doll
Katie Melua
Ed O'Brien
Imogen Heap
Adam Mishan
Chet Atkins

Aprende con world-class musicians y cientos de otros profesores

Acceso ilimitado, con garantía de devolución

13 US$/mes

Suscripción