Análisis, explicación y demostración con Maxim Vengerov

Maxim Vengerov
Maxim Vengerov

Lesson time: (41min 16sec)

Maxim Vengerov guía a su alumno a través del Concierto para violín de Mendelssohn, trabajando la base técnica, la producción del sonido y la expresión emocional de la música.

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This lesson is part of the course Mendelssohn - Concierto para violín (segundo alumno)
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Lesson transcript:

Music Lesson: Maria's Performance

Introduction

Maria, bravo, bravo! Unfortunately, we didn't have enough time to listen until the end, but it was a truly impressive performance.

Thoughtfulness in Performance

I appreciate your thoughtfulness in Mendelssohn's music. You take your time, unlike some performers who rush through the entire movement. Your careful approach is wonderful.

Great Potential

There is exceptional potential in every aspect of your playing:

  • Virtuosity
  • Sound production

We'll need to address various topics, starting with the technical execution of your performance, which is very important.

Technical Execution

This is our transport; without technical means, we cannot convey music effectively. I sense that you feel the Mendelssohn concerto more deeply than you can perform it. You imagine it more freely and spaciously.

Grounding Yourself

However, I feel you're sometimes losing the ground beneath your feet. It's crucial to feel grounded, like a tree, rooted down before reaching upwards.

  • Always remember to stand confidently while playing.
  • Ensure your:
    • Shoulders are relaxed
    • Breathing is normal (what I call "rabbit breathing" or "dog breathing")

Musicality and Movement

Your musicality shines through, and you express your phrases beautifully. However, there are some adjustments needed in your physical movements.

Enhancing Crescendo

Instead of merely moving your hands to create a crescendo, consider:

  • Starting with a small bow stroke
  • Gradually adding pressure and vibrato

For example:

  • Start with less vibrato and expand it as you progress.

Controlling Vibrato

It's important to properly calculate your vibrato to avoid stopping abruptly. Check where you feel comfortable vibrating. Remember:

  • Vibrato is already an interpretation; it must elicit a reaction from the audience.
  • Gradual changes in vibrato are crucial, avoid sudden shifts.

Practical Exercise

Let's practice:

  1. Reduce vibrato gradually rather than all at once.
  2. Keep it comfortable and relaxed, allowing the story to unfold before reaching the culmination.

Bow Grip and Connection

Your bow grip needs to be more intentional. Your fingers should have defined roles:

  • The end of the bow should feel heavy to produce rich sound.
  • There must be a separation of functions between the left and right hands.

Embrace the Bow

I encourage you to hug the bow:

  • Maintain a connection between the bow and your arm.
  • Visualize a beautiful violinist from a Chagall painting, where the instrument and musician blend into one.

Interpretation and Strategy

Before starting to play, envision how you want it to sound. Your body and soul already know the music.

Creating a Narrative

Remember:

  • Avoid revealing all secrets of the music at the beginning.
  • Maintain a balance; don't give away too much too soon, as if serving only appetizers at a dinner when you have many courses prepared.

Final Thoughts

In the end, let's focus on:

  • Maintaining a serene quality in your right hand.
  • Ensuring the sound from the orchestra complements your performance.

Conclusion

Maria, with practice and attention to these details, you will continue to develop a beautiful, controlled sound. Your potential is evident, and I look forward to witnessing your progress!

Thank you very much.

About the instructor

Maxim Vengerov
Maxim Vengerov

Maxim Vengerov está reconocido como uno de los violinistas más apasionantes del mundo. Ofreció su primer recital a los cinco años y, tras estudiar con Galina Tourchaninova y el profesor Zakhar Bron, ganó el Primer Premio en el Junior Wieniawski Competition a los diez años. En 1990, con quince años, ganó el Carl Flesch International Violin Competition, confirmando su reputación como músico del más alto nivel. En mayo de 2000, tras un contrato de grabación de diez años con Teldec Classics, Maxim Vengerov firmó un contrato en exclusiva con EMI Classics. Entre sus galardones y premios se encuentran el Gramophone Young Artist of the Year y el Ritmo (España) Artist of the Year en 1994; el Gramophone Record of the Year y nominaciones a los Grammy Award en las categorías de Classical Album of the Year y Best Instrumental Soloist with Orchestra en 1996; el Edison Award al Best Concerto Recording en 1997; el Gramophone Artist of the Year en 2002; y tanto un Edison Award como un Grammy Award en 2004 al Best Instrumental Soloist Performance (with Orchestra) por su grabación del Concierto para violín de Britten y el Concierto para viola de Walton. En 1997, Vengerov fue el primer músico clásico nombrado Envoy for Music por UNICEF. En ese papel ha conocido y ha tocado para niños desfavorecidos en Uganda, Harlem, Tailandia y a ambos lados de la división étnica kosovar, una labor que le ha permitido tanto inspirar a niños de todo el mundo como animar a otros a recaudar fondos para programas asistidos por UNICEF. Otra pasión de la vida de Vengerov es su dedicación a los jóvenes a través de las clases magistrales. Uno de estos eventos fue grabado por Channel Four Television como parte de un documental sobre Vengerov titulado 'Playing by Heart', proyectado en el Cannes Television Festival en 1999. Desde junio de 2005 es Professor of Violin en la Royal Academy of Music de Londres. Esa misma pasión por la enseñanza recorre sus clases magistrales en MusicGurus, en las que Vengerov te introduce en el gran repertorio para violín —desde la Tzigane de Ravel y la Carmen Fantasy de Sarasate hasta los conciertos de Sibelius, Mendelssohn, Britten y Shostakóvich—, compartiendo la técnica y la musicalidad que hay detrás de cada frase. read more

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2 lessons (0h 51m)
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