The Dock of the Bay – Otis Redding (Analyse)

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Lesson time: (3min 27sec)

Paul Elliott zerlegt den Debut-Schlagzeugpart von 'Dock of the Bay', einen sanften Soul-Song mit geradem Achtel-Feeling und Hi-Hats auf Zwei und Vier.

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This lesson is part of the course Rockschool Schlagzeug Debut
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Lesson transcript:

Teaching "Dock of the Bay" - A Music Lesson

Introduction
Okay, let's take a look at Dock of the Bay, or Sitting on the Dock of the Bay to give it its correct title. This features the great Al Jackson Jr. on drums. It's a classic soul tune.

Tempo and Feel

  • It's a very gentle piece with a straight ahead, eighth note feel at a slow tempo.
  • Important: Get that time feel before you come in.

Counting Technique

  • We've got these two and four closed hi-hat hits. Feel the time!
  • What I do in the performance is count the eighth notes, even while playing quarter notes.
  • Think:
    • 1, 2, 3 and 4 and
    • 1, 2 and 3 and 4 and
    • 1

There's a lot of space at this tempo. As a feel concept, it's pretty much eighth notes all the way through.

Section Overview

  • This is a debut tune, so we don't have any tom fills, open hi-hats, or cross cymbals.
  • Essentially, I'm just looking to keep steady eighth note time.
  • Pay attention to the variations in the bass drum pattern:
    • Look for subtle changes in the bass drum patterns between the A, B, and C sections.
    • Note the unison at the end of the B section: two bass drums, two snare drums with the hi-hat.
    • In the C section, watch for a change in bass drum patterns, especially towards the end, which finishes on a bass drum and a hi-hat.

Playing Style
From a feel perspective, this is just very gentle.

  • I don't play too heavy on this tune; I'm keeping it really relaxed.
  • I use a certain kind of dynamic hi-hat technique:
    • I avoid playing too monotone on the hi-hat.
    • I won't play a huge snare drum figure or a big bass drum figure.
    • It's all about maintaining a relaxed feel.

Performance Techniques

  • Center Snare: I'm going to play center snare; no big rim shots are necessary at this grade.
  • I will use a nice hi-hat technique that includes a lilting accent:
    • Count: 1, 2, 3, 4
  • It's not essential to use that technique, but it gives a nice balance of sounds for a relaxed feel.

Grip and Balance
For the snare drum, I'm going to use traditional grip.

  • This technique feels nice, gentle, and easy; it achieves a balanced sound.
  • Remember, these techniques are personal; if I were to play this tune, that's how I would approach it.

Conclusion
Great! Have fun with this tune. See you soon!

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