Lesson 7 of 17PianoBeginner

More ideas and practice tips

1:58

Tim helps you get to grips with coordinating that slightly more complicated right-hand with the run-ups

Part of the courseBlues Piano Development: Riffs & Rhythms17 lessons (0h 34m)

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Tim RichardsYour guruTim Richards

What's in the course

17 lessons (0h 34m) · 1 free
    • 01. Sixth Chords

      2:22

    • 02. Jump Shuffle (performance, accompaniment pattern)

      0:35

    • 03. Left Hand run-ups, right-hand ideas

      1:51

    • 04. Jump Shuffle (second chorus performance)

      0:34

    • 05. More ideas and practice tips

      You are here

      1:58

Lesson transcript

Music Lesson

If you have difficulty coordinating that slightly more complex right hand with the run-ups, just leave them out.

Or revert to a simpler bass line. You could do the whole thing with barrel house.

Practice Suggestions

  • Slow it down:
    Practice this part of it over and over, slowing it right down.
    Simplify it to the F shape.

  • Experiment with structure:
    Use the idea every two bars, not just at the end of each four-bar phrase.

Flexibility and Personalization

I'm trying to encourage you to develop a more flexible approach to this material.

  • Play around:
    Experiment with it.
    Use it with different left hands in different places in the 12-bar sequence.

That's the way forward. None of this stuff is carved in stone. It's up to you to personalize it and expand it as you wish.

Backing Track

I'm going to suggest that you use the backing track I played earlier, the shuffle, to practice this right hand without needing to do any left hand.

That would be a really good way of assimilating that idea.

See you soon for the next lesson!

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Meet your guru

Tim Richards

Tim Richards

Critically acclaimed jazz pianist and composer Tim Richards is one of Britain’s most experienced jazz educators, teaching piano privately for over 30 years, as well as at Morley College, Goldsmiths College, the University of Surrey, Premises Studios and other venues in the UK and abroad. He has produced numerous titles for Schott Music, including the best-selling two-volume Exploring Jazz PianoBlues, Boogie & Gospel Collection and the acclaimed Improvising Blues Piano. He is also co-author, with John Crawford, of Exploring Latin Piano and Brazilian Piano Collection.

More recently Schott have published Jazz, Latin & Modern Collection (15 pieces for solo piano), comprising Tim Richards originals alongside pieces by Duke Ellington and Thelonious Monk, and the two volume set Beginning Jazz Piano (now a two-part MusicGurus course).

“The real joy of Tim’s music… is that it is both hugely educational but also such great fun to play. Anyone with the slightest interest in learning to play or teach jazz piano should really acquire a set of Tim’s books.” PianoDao

As a performer Tim has been a presence on the UK jazz scene since the 1980s, also playing the blues with UK and US legends such as Otis Grand, Earl Green, Dana Gillespie, Larry Garner, Joe Louis Walker and Mojo Buford. He has released over a dozen albums as a leader (featuring many of London’s best jazz musicians including Pete King, Gilad Atzmon, Tony Kofi, Jason Yarde, Seb Rochford, Ed Jones, Dick Pearce and many others), and toured all over Europe with line-ups ranging from duo to nine-piece. His latest recording, the album ‘Telegraph Hill’ by the six-piece Hextet, was described in The Observer as "A true joy from beginning to end".

More info can be found on his website www.timrichards.ndo.co.uk

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