Sixth Chords

With
Tim RichardsIn this lesson, Tim shows you how to play a two-handed groove called a Shuffle, which you can use as an accompaniment pattern
What's in the course
17 lessons (0h 34m) · 1 freeLesson transcript
Shuffle Lesson: Two-Handed Groove
In this lesson, I'm going to show you how to play a shuffle, which is a two-handed groove that you can use as an accompaniment pattern. This is similar to how we used some other on-off chords and things as comping patterns.
The Shuffle Pattern
The shuffle sounds really good when you can play it with six chords in the right hand. We're going to be using:
- Bass in the left hand
- Walking bass
- Sixth chord
Understanding Sixth Chords
Let's start with a quick overview of sixth chords. We've already added the sixth to the bassline. You can do exactly the same thing with the right hand chord by playing a triad with the sixth added.
Inverting Chords
Now, the key point is to be able to invert shapes like this, not always playing them in root position.
- Putting the thumb on E and moving the C to the top gives you the first inversion shape.
- For other inversions:
- Thumb on G: The E goes to the top.
- Thumb on A: The G goes to the top.
Notice how that shape looks like a minor 7.
Practice Routine
Get into the habit of doing this little routine with any chords that you're learning in a new tune. You would want to practice this in F and C as well.
- Memorize those shapes.
- Think about the fingering while practicing.
Most of the fingering is 1, 2, 3, 5, although I use 1, 2, 3, 4 for the root position.
Playing the Chords
Using the first inversion shape on C, we're going to play the chords on the upbeat:
- Every upbeat: 1 and, 2 and, 3 and, 4 and
Then, jump to the first inversion on F. Remember:
- Thumb on the third: So that's A for the F chord.
- For the G, the thumb will be on B.
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Meet your guru

Meet your guru
Critically acclaimed jazz pianist and composer Tim Richards is one of Britain’s most experienced jazz educators, teaching piano privately for over 30 years, as well as at Morley College, Goldsmiths College, the University of Surrey, Premises Studios and other venues in the UK and abroad. He has produced numerous titles for Schott Music, including the best-selling two-volume Exploring Jazz Piano, Blues, Boogie & Gospel Collection and the acclaimed Improvising Blues Piano. He is also co-author, with John Crawford, of Exploring Latin Piano and Brazilian Piano Collection.
More recently Schott have published Jazz, Latin & Modern Collection (15 pieces for solo piano), comprising Tim Richards originals alongside pieces by Duke Ellington and Thelonious Monk, and the two volume set Beginning Jazz Piano (now a two-part MusicGurus course).
“The real joy of Tim’s music… is that it is both hugely educational but also such great fun to play. Anyone with the slightest interest in learning to play or teach jazz piano should really acquire a set of Tim’s books.” PianoDao
As a performer Tim has been a presence on the UK jazz scene since the 1980s, also playing the blues with UK and US legends such as Otis Grand, Earl Green, Dana Gillespie, Larry Garner, Joe Louis Walker and Mojo Buford. He has released over a dozen albums as a leader (featuring many of London’s best jazz musicians including Pete King, Gilad Atzmon, Tony Kofi, Jason Yarde, Seb Rochford, Ed Jones, Dick Pearce and many others), and toured all over Europe with line-ups ranging from duo to nine-piece. His latest recording, the album ‘Telegraph Hill’ by the six-piece Hextet, was described in The Observer as "A true joy from beginning to end".
More info can be found on his website www.timrichards.ndo.co.uk





























