Paddy Milner's complete blues and boogie journey — from your first authentic blues feel through slow blues, shuffle, New Orleans and boogie-woogie, ending with three all-time classics.
Taught by
Paddy MilnerFollow them in order — each course builds directly on the last.
Paddy Milner on what makes a blues actually sound like a blues - feel, voicings, and the left-hand pocket that's everything.
Paddy Milner on the patience the slow blues demands - long phrasing, deep voicings, and how to say more by playing less.
Paddy Milner on the eight-to-the-bar shuffle - the left-hand pattern, the right-hand vocabulary, and locking in with a rhythm section.
Paddy Milner on the loose, rolling feel of New Orleans piano - Professor Longhair, Dr John, and the second-line rhythms beneath them.
Paddy Milner on the boogie-woogie vocabulary - the Pete Johnson / Albert Ammons left-hand patterns and the train rhythm that drives the style.
Paddy Milner on three boogie-woogie standards bar by bar - the bass lines, right-hand riffs, and turnarounds that make them work.
Paddy Milner on the Jerry Lee Lewis / Little Richard vocabulary - boogie shuffle, train rhythm, and the energy that built rock 'n' roll.
