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Lesson time: (5min 31sec)
Charlie Rapino desgrana su lema 'el talento es un don, el éxito es el trabajo', explicando cómo el marketing, la marca y la identidad convierten el talento en bruto en una carrera.
This lesson is part of the course ¡Consigue un contrato!
Watch this lesson for free below.
Lesson transcript:
In this next section, I'm going to chat with Charlie about:
This encompasses understanding or tapping into a zeitgeist as part of the package that takes pure talent further into the realms of success.
Charlie, you've titled this course "Talent is a Gift, Success is the Job." What do you mean by that?
"It's exactly what I mean. You can be a very talented songwriter, artist, producer... anyone who, with a pair of hands and a little bit of brain, can produce something interesting. It doesn't have to be beautiful or exceptional, but something interesting. However, if you don't find a way to make it accessible to the market or the consumer, even worse, real talent stays in a little studio between you and your friends."
You can't just expect to be talented and walk into a record company office or even a film production office and say, "Hey, I'm talented. Sign me."
"There's more to the package. Unfortunately, it doesn't work like that."
You've shared seminal moments in your biography about understanding branding, logo, image, and the package that comes with talent as success. What does that mean to you? How do you define marketing and branding?
"I think I'm not a marketing man. I work a lot with marketing professionals, and let's face it, marketing can be a very bad word because it implies applying concepts learned at university and dumping a lot of money into it, hoping for a hit or a successful product."
To me, marketing or branding is what you apply to your talent to make it interesting and to get noticed.
"James Osterberg sounds a little bit like an osteopath, a shrink, you know, psychoanalyst. But Iggy Pop? That's intriguing! Automatically, in the mind of an average teenager like me, somebody called Iggy Pop is like, wow, I want to hear that."
What else comes with the package?
Some people are lucky, they're born with a great name.
But if you call someone Reginald Dwight, you've got a problem.
"I don't think that Elton John, if he had called himself Elton Reginald Dwight, would have sold the same amount of records or had the same type of attention. Because Elton John is a very strong brand; it's a very strong name."
Kiss is a perfect example.
"Immediate attention, you know? That's branding."

Charlie empezó en la industria musical como abogado recién titulado, promoviendo conciertos y llevando a artistas como Iggy Pop y Patti Smith ante un público universitario italiano de espíritu radical. Tras trabajar en el legendario Record Plant NYC y empaparse de la escena house, formó los Rapino Brothers con Marco Sabiu, se mudó a Londres en 1990 y nunca miró atrás. Allí arrasaron durante toda la década, produciendo y grabando discos. Después de su primer éxito con Love Me The Right Way de Kym Mazelle, idearon el primer éxito de Take That y produjeron, mezclaron y arreglaron a muchos grandes artistas del pop durante los años noventa, desde Kylie hasta Primal Scream. En 1997, Charlie fue el productor «en directo» de «Get Your Act Together» de la BBC, seguido de «Full Frontal» en Channel 4. De 1999 a 2004 fue A&R Director de Sony Music International. Su energía nunca decae. A lo largo de los años ha repartido su tiempo entre la consultoría de gestión para Ennio Morricone, la consultoría para la revista Rolling Stone, el trabajo en bandas sonoras y la consultoría de producción para películas y videojuegos (incluido convencer a Iggy Pop para que hiciera las voces del videojuego Driver 3), y la contratación y gestión de artistas a través de su sello en empresa conjunta con Sony, Stud Records. En Get signed!, Charlie descorre el telón sobre décadas de experiencia en producción y A&R para mostrarte exactamente qué escuchan los sellos, cómo dar forma y presentar tu proyecto, y qué hace falta realmente para llamar la atención y conseguir un contrato. read more