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Lesson time: (4min 35sec)
Mark repasa el curso hasta ahora y te enseña a guardar & recuperar tu configuración para usarla más adelante. Compartirá algunos consejos sobre cómo nombra sus configuraciones para que sean fáciles de encontrar y de recuperar desde el Push 2.
This lesson is part of the course Ampliando Ableton Live: la guía definitiva para usar dispositivos externos
Watch this lesson for free below.
Lesson transcript:
Okay, so the last thing that we're going to give a little bit of consideration to now that we've built this device is to look back inside Live. It's not a massively complicated device, but it has hugely increased the usability of this VST plug-in.
What would be nice to do is to be able to recall this at any time and use it in our other projects. To do that:
I have a standard naming system that I use for labeling all of the devices that I create:
Prefix: I start with a double zero (00).
Meaningful Name: Describe the device or the type of sound it produces.
Suffix: I add a unique identifier (mxb).
After naming, I hit enter and click on the save button. This action prompts the user library and allows me to save that particular device there.
Now, why is the suffix important? If I use Live's browser technology and the key command (Command + F) to open up my browser and search for all files, I can type in MXB. What you'll see is that everything appearing in this search window consists of content that I've created myself. All devices, sounds, clips, and samples with the MXB suffix will show up, providing a quick way to filter my user content.
Using the double zero prefix also aids in navigating the Push browser:
This organization means I don't have to sift through pages of devices listed in the Push window, allowing my creations to come up first.
To quickly recap what we've accomplished:
As a result, this has opened up a much more musical and intuitive way for us to interact with that software, and hopefully, it has made the experience a lot more fun.

Mark Burnett es un Ableton Certified Trainer que lleva más de 14 años trabajando con productos de Ableton. Como productor y DJ en Funk'n Deep Records, sus temas han sonado en grandes festivales y en sesiones y podcasts de artistas como Carl Cox y Richie Hawtin, y ha tocado ante multitudes de miles de personas. También organiza eventos a gran escala como Workhouse Project, y estudió en el Imperial College London. Su curso trata sobre el uso de Ableton Live para construir actuaciones en directo, y está pensado para productores y artistas de música electrónica que quieran llevar su espectáculo del estudio al escenario. read more